Just like layers of paint and pigment create depth in a painting, I build the interior’s aesthetic singularity. I compose bespoke colour palettes for every project.
Used as a tool for shaping space, colour acts on the senses and supports human wellbeing. Colours become full-fledged actors in setting the mood that profoundly affects how we feel and function. Uncanny colour — attuned to psychological nuance — reshapes the perception and state of mind of the user.
Choosing eclecticism, I freely combine styles, forms and shades to arrive at a cohesive, yet surprising whole. These palettes are canvases, where every hue, from restrained pastels to saturated tones, plays a distinct role.
Every colour has its place and purpose; each is pivotal in forming space. What makes colour design so exceptional is the deep understanding of how colour relates to human functioning. During my PhD studies at the Gdańsk University of Technology, I explored how inappropriate colour selection can affect the psyche and the spaces we inhabit.
In my projects, colour is more than a surface—it is a living essence that permeates interiors, giving them life and depth.
I use colour as both a means of expression and instrument to shape spaces with a unique character. Professional experience — from palette creation for paint, fashion and automotive brands to residential design — enables me to deliver one-of-a-kind, inspiring projects. My work has been published in AD Germany, AD Italy and Elle UK. I am a member of the AD 100 Poland 2025 – the list of the most important architects and designers in Poland and worldwide.
The spaces I design is not only filled with colour, they become plastic, sculptural wholes. Colour in design is more than just specific shades – it is a sensory experience, engaging the senses and transforming space into a living, dynamic organism.
Interiors invite touch and feeling. Colour, together with the surface, texture and material, composes a refined harmony—moving through space like a quiet melody.
Observation and interpretation allow me to operate fluently in any convention. I create space for people who experience the world from a different level of perception.
Every interior becomes a space for interpretation, shaped by experience, emotional wealth, and the capacity to notice and value nuance. They are designed for those who cherish life, taste, passion and colour.
I turn the difficulties, defects and shortcomings of an existing interior into distinguishing features—impossible to replicate elsewhere. This is how the space gains unforgettable value.
A trend of late-modern architecture from the late 1940s. I assume that the space, structure and sensitivity to material properties are paramount. I transform space from abstract to expressive.
I emphasise raw form and reveal the structural elements of building and interior. An interior with a note of Brutalism unites minimal form with a pronounced sensitivity to structural and functional detail—giving spaces a vivid identity. Through Brutalism, I convert abstraction into expression.
I work with substantial, often raw materials—stone, wood, glass, ceramic, concrete—that underline structural strength.
Freedom from convention is a conscious, unbound approach in which aesthetics arise not from trend, but from the truth of the place, material and person. It is the courage to juxtapose seemingly distant forms, textures and colours—not to shock, but to build deep, emotional coherence of space.
It is the skill of listening to what the interior wants to say — even through its flaws, austerity and imperfections. It is converting constraints into a project’s strength; embracing liberty in the means of expression: the old beside the new, the heavy beside the light, the monumental beside the delicate.
The result is total spaces—those that act upon all the senses. Unique, because they are woven from authentic layers of history, structure and personal narratives.
This is not a style. It is a way of thinking. It is designing that needs no permission for what is “appropriate.” Only thus can we make architecture with a soul — work that lingers in memory.
